Audra Lynn Bio
Audra Lynn is an American actress, glamour and nude model. She was born on January 31, 1980, in Albert Lea, Minnesota. Playboy named her its October 2003 Playmate at 23. Her appearance came in the 2000s, as Playboy's print tradition began to share space with an expanding online presence.
Lynn has natural breasts, blue eyes and blond hair. Her measurements are 34-24-34.
Lynn’s route into Playboy began with the sort of nerve that rarely fits neatly into a casting form: she walked into the magazine’s Los Angeles offices looking for an opportunity. The account places her alongside Jenny McCarthy as one of only two women to enter Playboy as a walk-in discovery. Before Los Angeles, her competitive streak had another outlet. Growing up in Minnesota, she took piano lessons and became a champion figure skater, collecting gold medals before modeling became her profession.
Playboy had already featured Lynn online before her centerfold, giving her an early place in the magazine’s expanding digital world. She also entered Playboy’s Girl Next Door competition; although she did not win, the relationship with the magazine continued. For her later centerfold, she worked with photographers Stephen Wayda and Arny Freytag, two names closely associated with Playboy photography during the period.
The assignment soon sat within a broader run of fashion and editorial work. In 2004, Lynn posed for Vogue Italia in a David LaChapelle shoot alongside Pamela Anderson, Tishara Cousino and Karen McDougal. Rolling Stone Italia put her on its March 2005 cover, while British and Asian editions of GQ also featured her. Commercial assignments included work for Macy’s, Wilson Leather and Echo Clothing.
Pop culture supplied still more detours. Sum 41 photographed Lynn for Playboy.com’s “Celebrity Photographer” series, and acting brought appearances on The Girls Next Door, Frasier and MADtv, followed by a role in the 2007 comedy Epic Movie. It was a varied stretch of work, moving easily between magazine photography, advertising, television and the knowingly exaggerated world of big-screen parody.
The contrast with Lynn’s beginnings is difficult to miss: competitive figure skating in Minnesota gave way to modeling, international magazine work and television and film appearances. Yet some of her ambitions remained decidedly removed from studio lights. She spoke of eventually owning a ranch in the Rockies, an appropriately outdoorsy destination for a career that had traveled a considerable distance from where it started.
