Kayslee Collins Bio
Kayslee Collins is an American actress, glamour and nude model. Born Kayslee Don Collins on March 28, 1991, in San Diego, California, she has also been credited as Kays Collins. Playboy named her its February 2015 Playmate at 23. Her appearance came during Playboy's contemporary era of international and digital publishing.
Collins has natural breasts, blue eyes and blond hair. Her measurements are 32-25-35.
Kayslee Collins entered entertainment through modeling and acting, moving from San Diego to Los Angeles to pursue both while still young. She booked national advertising campaigns and television work, establishing herself in front of the camera before gradually redirecting her attention toward another long-standing creative interest: music. Singing and songwriting eventually became her primary focus, leading her away from screen acting for more than a decade.
Collins introduced that side of her work with the 2019 EP Selfish Baby, a project built around personal songwriting and her own vocal identity. “Sixteen” became one of its most visible tracks after Tyler Blake of Classixx reworked the song through his oceans1985 project. The remix later reached a broader audience when it was featured in the Netflix series Never Have I Ever.
Songwriting subsequently connected Collins with another prominent television production. She contributed to the music of Daisy Jones & The Six, whose soundtrack received a Grammy nomination. Her writing credit on “The River” placed her within the fictional band’s carefully constructed 1970s-inspired musical world, while Pitchfork singled out the track for its forceful production, spacious instrumental passages and moodier shifts.
Her musical interests have continued to evolve through collaboration. More recent work with producer Ian Walsh and writer Sophie Hintze draws inspiration from artists whose songwriting has remained important to Collins, including Linda Ronstadt and Joni Mitchell. At the same time, she has returned to acting after a 12-year absence from screen work, taking the lead in an upcoming television pilot and reconnecting with the profession that helped begin her Los Angeles career.
That return gives Collins an unusually broad creative record encompassing modeling, acting, recording and songwriting. Rather than abandoning one discipline whenever another became more important, she has periodically shifted the emphasis between them. Her Playboy appearance belongs to the earlier modeling period of that history, while Selfish Baby, “The River” and her recent return to television document the creative directions she pursued afterward.
