Ursula Andress

Playboy Celebrity, December 1973

Ursula Andress Bio

Ursula Andress is a Swiss Actress, glamour and nude model. She was born on March 19, 1936, in Ostermundigen, Switzerland, and has also been credited as Urs. She appeared in Playboy in December 1973 at 37, adding the feature to her public career. Her appearance came during Playboy's 1970s print era, when the magazine reached the height of its mass-market influence.

Andress has natural breasts, blue eyes and blond hair. Her measurements are 34-22-35.

Ursula Andress entered Playboy in June 1965 with an exclusive twelve-page pictorial photographed by her then-husband, John Derek. She was not presented as a Playmate, but as an international film star whose entrance from the Caribbean surf in Dr. No had already become one of cinema’s defining images. The feature began a long association with the magazine: Andress would be pictured in Playboy seven times over the following fifteen years, an exceptional record for a celebrity model.

Her path to that moment began in Rome, where modelling and small Italian film appearances led eventually to Hollywood. International fame arrived with Honey Ryder, the independent shell diver who walks onto the beach in Dr. No wearing a white bikini and carrying a knife. The sequence established the visual language of the Bond woman—glamorous, adventurous and capable of meeting danger directly—and earned Andress the 1964 Golden Globe for New Star of the Year.

Playboy’s 1965 pictorial appeared as her career was expanding rapidly beyond Bond. She had starred opposite Elvis Presley in Fun in Acapulco and joined Frank Sinatra and Dean Martin in 4 for Texas, while films such as She, The 10th Victim and What’s New Pussycat? reinforced her standing as one of the decade’s most sought-after European actresses. The photographs translated her screen image into Playboy’s language without softening its essential strength: Andress looked less like a conventional pin-up than a woman entirely aware of the effect she produced.

Her unusual connection to James Bond continued in the extravagant 1967 spoof Casino Royale, where she played Vesper Lynd opposite Peter Sellers. Andress later moved comfortably through British, French, Italian and American productions, appearing in The Blue Max, Red Sun, The Sensuous Nurse and Clash of the Titans. Although many of those films capitalised on her physical presence, her best performances carried a distinctive mixture of composure, humour and emotional reserve.

Ursula Andress’s Playboy history remains inseparable from the mythology she created in Dr. No. Both presented glamour as something active rather than ornamental—a quality expressed through posture, confidence and the suggestion that she answered only to herself. The June 1965 pictorial caught the original Bond woman at the height of her first international triumph, preserving a star whose beauty was obvious but whose self-possession made the image endure.

Ursula Andress Playboy Gallery