Victoria Fuller Bio
Victoria Fuller is an American artist, television personality, actress, glamour and fitness model. Born Victoria Alynette Fuller on December 11, 1970, in Santa Barbara, California, she has also been credited as Victoria Baker. Playboy named her its January 1996 Playmate at 25. Her appearance came during Playboy's 1990s print era, a period increasingly shaped by entertainment and celebrity culture.
Fuller has natural breasts, blue eyes and blond hair. Her measurements are 36-24-34.
Fuller built her career around two overlapping canvases: pop art and the body. Descended from three generations of artists, she translated an early, obsessive drawing practice into a studio life that eventually folded Playboy’s iconography into paintings, prints and sculptures. That crossover work earned her a rare commercial tether to the brand — she is cited as the only artist officially licensed to incorporate Playboy’s trademarks into original fine art — and it became the clearest expression of her sensibility, equal parts nostalgia, color and wink.
The other canvas was physical. She took up bodybuilding at 17, won early local competitions and moved into fitness modeling, training the sculpted frame that carried her through commercial shoots and magazine work. Those twin disciplines — disciplined training by day, art school by night — shaped a public persona that could be at once athletic, theatrical and self-consciously artful.
Television and light‑touch reality work followed naturally. Credits and appearances include a turn on Married… with Children, a part in the revenge-tinged film The Scorned, and spots on programs ranging from The Girls Next Door and The Amazing Race to Dr. Phil, The Tyra Banks Show, The Man Show and Whose Line Is It Anyway? Her on-camera persona, as much as her canvases, let her move between entertainment genres without losing the visual throughline that unites her projects.
Her personal life and studio practice have often run in parallel. She married filmmaker Jonathan Baker in 2001. Fuller continues to exhibit and sell paintings and sculptures that return obsessively to glamour’s imagery — a career that treats Playboy not as a single moment but as a recurring palette for work that is at once commercial, collectible and unmistakably hers.
