Olivia Preston Bio
Olivia Preston is a Canadian Social media influencer, glamour and nude model. She was born on July 6, 1985, in Vancouver, Canada. Playboy featured her as Cybergirl of the Month in September 2017 at 32. She later received the Cybergirl of the Year title for 2018. The feature was part of Playboy's web-first model program.
Preston has natural breasts, green eyes and blond hair. Her measurements are 32-26-36.
Olivia Preston spent three years modeling full time before Playboy entered the picture, making her eventual feature less an introduction than the payoff to an established pursuit. The opportunity developed after she traveled to Montreal for a casting, something she described as a case of Playboy Plus and herself finding each other. Preston had a specific reason for wanting the assignment: she admired Playboy’s longstanding approach to photographing women in what she called a “classically sexy” manner and felt that aesthetic suited nude modeling particularly well.
Her comfort with the work was equally straightforward. Preston was not shy in front of the camera and spoke matter-of-factly about having a mature, womanly figure. Rather than treating maturity as something to disguise, she considered it part of her appeal. That perspective gave her Playboy work a slightly different character from the familiar discovery narrative surrounding younger newcomers; she reached the magazine after years of professional modeling and with a clear idea of how she wanted to be photographed.
The initial Playboy appearance developed into something more substantial. The distinction extended her relationship with Playboy beyond a single pictorial and gave the Montreal casting a particularly satisfying outcome. What began with an experienced working model seeking out a publication whose visual style she respected ultimately became one of Playboy Plus’s annual honors.
Preston also moved into acting, appearing in the 2018 film Idle Thoughts. Travel, meanwhile, occupied much of her life away from assignments. She spoke about plans that included Europe, Australia and Fiji, and joked that being on the road so frequently left little room for a relationship. She enjoyed companionship, she said, but at that stage was perfectly content with being single.
There is a pleasingly practical streak running through Preston’s account of those years. She had put in time as a full-time model, traveled for the casting she wanted, understood what appealed to her about Playboy’s photographic tradition and was comfortable discussing both her work and her independence. The Cybergirl of the Year honor then gave that association a second act, while Idle Thoughts added a screen credit to a career that had begun firmly in modeling.
