Eloise Broady Bio
Eloise Broady is an American glamour model, actress, producer, businesswoman and philanthropist. Born Eloise Lucille Broady on May 13, 1957, in Houston, Texas, she has also been credited as Eloise Broady DeJoria, Eloise Dejoria, and Eloise Schmitt. Playboy named her its April 1988 Playmate at 30. Her appearance came during Playboy's polished, high-production 1980s period.
Broady has natural breasts, blue eyes and blond hair. Her measurements are 36-25-35.
Eloise Broady moved fluidly between cameras and boardrooms, building a screen résumé that runs from mainstream comedies to bigger-studio fare. Her film credits include appearances in Weekend at Bernie’s, Songwriter, You Don’t Mess with the Zohan and Wall Street: Money Never Sleeps, and she turned up in Friday Night Lights; she also appeared in the music video for KISS’s “Reason to Live.” Those on-screen moments broadened a public profile that has always been less a single role than a series of reinventions.
Off-camera her curiosity found a steadier channel. Broady helped launch Ultimate Face Professional cosmetics and helped establish an addiction- and behavioral-health center in Texas often cited as part of her recovery-advocacy work. The Arbor project—appearing in sources as both Arbor Behavioral Healthcare and the Arbor Recovery Center—figures among her ongoing business and charitable commitments; family members, including her sons, are named collaborators in that work.
Her personal life has been intertwined with high-profile entrepreneurship. She married entrepreneur and philanthropist John Paul DeJoria in 1993, and family responsibilities—motherhood and now grandparenthood—are presented in public accounts as central to how she balances projects, philanthropy and private life.
Generosity and civic ties recur in descriptions of Broady’s public activities: beneficiaries named in supplied material include the Austin Film Society, The Paramount Theater and the Austin Children’s Shelter. Those commitments, together with her mix of entertainment credits and commercial ventures, sketch a career that resists a single label—part performer, part builder, part advocate—each role evident in verified public records and interviews rather than in a single defining moment.
