Julie Lynn Cialini

Playboy Playmate of The Month for February 1994

Julie Lynn Cialini Bio Playmate of The Year

Julie Lynn Cialini is an American glamour model, actress, and television personality. Born Julie Lynn Smith on November 14, 1970, in Rochester, New York, she has also been credited as Julie Cialini. Playboy named her its February 1994 Playmate at 23. She was later named Playmate of the Year 1995. Her appearance came during Playboy's 1990s print era, a period increasingly shaped by entertainment and celebrity culture.

Cialini has natural breasts, brown eyes and brown hair. Her measurements are 34-24-35.

Cialini moved into television almost as soon as the magazines hit the stands, appearing as a model on the Doug Davidson–hosted Price Is Right during the 1994–95 season and turning up in numerous Playboy videos and special editions, including entries in the Wet & Wild and Sexy Lingerie series. Those projects kept her in front of a wider, non-editorial audience and underlined a pragmatic versatility that extended beyond page photography.

On-screen work followed a steady, if modest, pattern: commercial modeling and national spots paired with acting turns in a string of television and film projects. Her screen credits include South Beach Academy and Cover Me, with guest appearances in High Tide (credited as Annie) and Watchful Eye (playing Amber), alongside listings on Wolfhound and American Crime. These roles and spots showed she was comfortable shifting between commercials, stunt-casting and small character work.

The pictorials themselves often nodded to home: raised in Rochester by her mother with two sisters after her parents’ divorce when she was nine, she brought a hometown attachment to the imagery, even incorporating her love of ice skating and a fondness for the local Rochester Americans into some shoots. A data sheet accompanying her pictorial candidly listed an ambition to build a career comparable to Cindy Crawford, and away from sets she was known for caring for strays and keeping several cats at home.

Across magazine tie-ins, commercial assignments and small-screen parts, Cialini’s career read as a pragmatic blend of glamour and workmanlike on-camera experience—less a single late‑90s archetype than a set of marketable skills she could deploy where the moment required.

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