Anne Marie Fox Bio
Anne Marie Fox is an American glamour mode, actress, and photographer. She was born on September 28, 1962, in Los Angeles, California, and has also been credited as Anne-Marie Fox. Playboy named her its February 1982 Playmate at 19. Her appearance came during Playboy's polished, high-production 1980s period.
Fox has natural breasts, brown eyes and black hair. Her measurements are 32-23-34.
Three formative years in Heidelberg, Germany, gave Fox her first taste of photography, cinema and writing — a continental apprenticeship that she later formalized with a degree in English literature and a film-studies minor from Columbia University. Those early obsessions, the record suggests, never left her; they simply took a few detours through the fashion pages before settling behind the camera.
Her glossy work in front of the lens included representation by agencies such as Cunningham Escott‑Dipene and Elite, and her Playboy centerfold was shot by Arny Freytag, a name closely associated with the magazine’s signature look of the era. Modeling and acting remained part of the picture, but the bylines and credits that followed show a steady shift toward image-making rather than image maintenance.
That shift was literal: Fox apprenticed with Brigitte Lacombe in New York and Paris and studied at the International Center of Photography under Nan Goldin, building a practice in portraiture, film stills and landscape photography that carried her from New York and Los Angeles to Italy, France, England and the Czech Republic. A notable break in her stills career came on the set of Mary Shelley’s Frankenstein, during a period when she was engaged to Robert De Niro, who starred in the film; industry recognition for later work, including on Catherine Hardwicke’s Thirteen, led to her joining the IATSE cinematographers’ guild in 2002.
Fox has also explored the craft of storytelling on the page and screen, attending UCLA’s Professional Screenwriting Program and Jeff Gordon’s writers’ bootcamp. The arc of her public life, as the record shows it, runs from curated glamour to a sustained, practical investment in how images are made — a career that reads as much like training as it does reinvention.
