Alicia Rickter

Playboy Playmate of The Month for October 1995

Alicia Rickter Bio

Alicia Rickter is an American actress, glamour and nude model. She was born on September 21, 1972, in Long Beach, California. Playboy named her its October 1995 Playmate at 23. Her appearance came during Playboy's 1990s print era, a period increasingly shaped by entertainment and celebrity culture.

Rickter has enhanced breasts, brown eyes and brown hair. Her measurements are 34-23-34.

Playboy promoted her as the magazine’s 500th Playmate — a tidy milestone that later needed correction when an archival recount put her at 499. The fuss around that numbering briefly made her appearance a small piece of magazine lore, and it remains one of the more memorable footnotes from that era.

Her screen work followed a familiar Southern California arc from daytime drama to summer spectacle. Television credits include turns on The Young and the Restless and guest spots on sitcoms such as Unhappily Ever After, Thanks and Off Centre, while a longer-running role placed her among the lifeguards of Baywatch’s Hawaii season. On the big screen she appeared as Laura in the 2002 romantic comedy Buying the Cow, a part that let her mix comic timing with the camera-friendly presence she had already shown in other media.

Rickter’s career also kept an international tempo: she posed for overseas editions of the magazine and participated in several of Playboy’s video productions, extending her visibility beyond the American centerfold and into global pages and screens.

Her personal life entered another public register when she married baseball star Mike Piazza in 2005; the pair became parents to three children and later took a controlling interest in Italian football. The project placed Alicia in a hands-on executive role at A.C. Reggiana 1919, where she served as vice president during a turbulent period that ended with the club’s original company declared bankrupt. From magazine milestone to television, film and even the boardroom of a European club, her public life kept shifting registers in ways that refused easy categorization.

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