Corinna Harney Bio 
Corinna Harney is a German glamour model, dancer, producer, and actress. Born Corinna Denise Harney on February 20, 1972, in Bremerhaven, Germany, she has also been credited as Corinna Harney-Jones. Playboy named her its August 1991 Playmate at 19. She was later named Playmate of the Year 1992. Her appearance came during Playboy's 1990s print era, a period increasingly shaped by entertainment and celebrity culture.
Harney has natural breasts, blue eyes and blond hair. Her measurements are 34-22-34.
Ballet at three was more than a childhood pastime—Harney traces her earliest steps in front of an audience to that first class. Her on-camera beginnings arrived surprisingly young: in fourth grade she appeared opposite Dick Van Patten in a Blue Cross-Blue Shield commercial, and around the same time began doing print work that would quietly familiarize her with the rhythms of shoots and publicity.
Her magazine work extended into the publisher’s video specials, and the visibility opened doors on television and in features. Credits include guest turns on series such as Nash Bridges and CSI, and a small screen role in the broad comedy National Lampoon's Vegas Vacation, where studio comedy met the kind of cameo parts that often populate a working actor’s résumé.
Harney moved behind the camera as well as in front of it. She co-produced and starred in the independent film Pitcher and the Pin-Up, and later produced or appeared in a string of low‑budget and independent projects—from the web series Wedded Bliss to genre entries such as The Ivory Curse and Ryder and Julina. A Sinclair Oil commercial and the teen drama Sins of Our Youth, which features Joel Courtney, round out a filmography that mixes commercial spots, indie features, and serialized web work.
Taken together, these credits sketch a career that never settled for a single lane. Early training and childhood screen experience gave her a steady foothold in both commercial and independent spheres, and production work allowed her to shape projects rather than only supply a presence. The result is a steady, pragmatic body of work that spans commercials, guest television, indie films and modest producing credits.
