Aline Riscado Bio
Aline Riscado is a Brazilian Actress, professional ballet dancer, glamour and nude model. Born Aline Campos on October 12, 1987, in Rio de Janeiro, Brazil, she has also been credited as Mulher Chupetinha. She appeared in an international edition of Playboy in June 2012 at 24. Her appearance came during Playboy's contemporary era of international and digital publishing.
Riscado has enhanced breasts, blue eyes and brown hair. Her measurements are 34-27-39.
Classical ballet shaped Aline Riscado’s early television career. From 2011 to 2014, she belonged to the dance ensemble of Domingão do Faustão and participated in two editions of its Dança dos Famosos segment. That training also informed her Playboy Brazil pictorial with Luis Crispino: wearing ballet shoes, she incorporated leaps and dance poses into the June 2012 feature.
Dance took her into Carnival as well. In 2014, she became queen of the drums for Rio’s Caprichosos de Pilares, then assumed the same role with São Paulo’s Acadêmicos do Tucuruvi in 2016. Between those appointments, an Itaipava beer campaign introduced her to advertising audiences as “Verão,” meaning “Summer.” The campaign became a recognizable part of her public image alongside her television work.
Reporting and comedy broadened her on-screen experience. Riscado contributed to CQC on Band before joining Pânico na Band, where she initially led the interview segment A Riscado. After a guest appearance in the third season of Vai que Cola in 2015, she later joined its cast as a personal trainer. These assignments moved her from choreographed performances into interviews and scripted characters.
Her stage debut came in 2017 with Jogo do Amor, a romantic comedy written by Vitor Frad and directed by Carlos Bonow. She also participated in the Paixão de Cristo production in Pernambuco. In 2018, she made her cinema debut in Roberto Santucci’s Os Farofeiros, extending her comedy work from television to film.
Her other projects have included a reality dance show, online characters for which she created scripts and skits, and a cat sanctuary. Animal welfare joined dance and acting among her commitments, while travel and time in nature remained personal pleasures. Her statement about women’s autonomy was direct: “A woman’s place is where she wants,” with the freedom to dress, think, and speak as she chooses.
