Tess Taylor Bio
Tess Taylor is an American Nude model and television personality. Born Tess Taylor Arlington on February 11, 1990, in Malibu, California, she has also been credited as Tess Adler, Tess Amber Adler, and Taylor Neiers. Playboy featured her as Cybergirl of the Month in November 2009 at 19. She later received the Cybergirl of the Year title for 2010. The feature was part of Playboy's web-first model program.
Taylor has natural breasts, brown eyes and brown hair. Her measurements are 34-25-35.
Tess Taylor’s Playboy work belonged to a period when the magazine’s online presence was becoming a distinct showcase of its own. In addition to her Cybergirl recognition, she appeared in later Cyber Club features including “99 Beautiful Butts,” posted in March 2011, and “Sexy Girls 2011 Preview,” posted that September. She also appeared in Episode 203 of Playboy’s Bodcast video series, giving her relationship with the brand a presence across both still photography and video.
Screen work developed alongside those appearances. Taylor had a cameo in the 2009 straight-to-DVD comedy Frat Party, where she appeared with her sister Alexis. Her other credits include My Long Distance Relationship, also from 2009, and Adonis in 2013. Those roles placed her within the reality-TV-and-direct-to-video entertainment culture that overlapped naturally with glamour modeling at the end of the 2000s.
Her Playboy appearances continued after the initial Cybergirl feature rather than ending with a single pictorial. The Cyber Club compilations kept Taylor visible to subscribers in 2011, while the Bodcast episode extended that exposure into Playboy’s digital video programming. Taken together, those projects show a model working across several of the company’s online formats rather than appearing only once and moving on.
A more difficult chapter became public in January 2011, when Taylor entered the SOBA Recovery Center in Malibu for treatment of opiate addiction. She initially planned to remain in the inpatient program for 12 months. After 30 days at the Malibu facility, however, she transferred to an outpatient program in Pacific Palisades. It was a significant personal development occurring during the same general period in which her Playboy work remained active.
Taylor’s career therefore sits at an intersection of glamour publishing, digital Playboy programming and low-budget screen entertainment typical of its era. Frat Party connected her work to film, the Cyber Club kept her within Playboy’s online archive, and Bodcast added video. The record is not without a serious personal interruption, but it is precisely that mix of professional visibility and documented difficulty that gives her public story more texture than a simple sequence of pictorial credits.
